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Pete Davidson’s September 2026 Variety cover-story interview and its “Ask a Local” segment range from his past relationships to influencer culture. In reports about the interview, he says he and Ariana Grande are on good terms but do not keep in touch regularly, objects to body-focused criticism of her, and takes aim at get-ready-with-me videos and TikTok dances. Coverage also says he discussed Kim Kardashian and Ye. A search-result summary flags comments about AI filmmaking, but the available reporting does not establish what he said about it.
Variety interview coverage: what is confirmed
The available details come from secondary reports of Davidson’s September 2026 Variety cover story and accompanying “Ask a Local” segment, rather than an accessible full transcript or recording. Cosmopolitan reported on September 30 that he discussed Grande and the attention around his relationships; Complex followed on October 1 with remarks from the video segment about creators and online culture. The distinction matters: some lines below are reported quotations, while other points are outlet summaries of his comments.
Where do Davidson and Ariana Grande stand now?
Davidson and Grande were engaged in 2018. In the interview remarks reported by Cosmopolitan, Davidson called her talented and “cool,” and said they are not texting but remain on good terms. That describes cordial distance, not a renewed relationship. Cosmopolitan’s September 30, 2026 report gives the account.
He also objected to body-focused criticism of Grande and praised her resilience. Complex reproduced him saying, “I don’t like it at all. It’s not cool,” in response to the criticism. That is Davidson’s reaction to what he sees online, not an independently measured account of the criticism or its prevalence. The quotation was reported by Complex on October 1, 2026.
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What did he say about his dating history, Kim Kardashian and Ye?
Secondary coverage says Davidson reflected on the media’s fixation with his dating history and discussed his relationship with Kim Kardashian. That history drew unusually public attention, including conflict involving Ye, Kardashian’s former husband. The reports establish that these subjects came up; they do not justify turning the interview into a definitive account of private relationships or assigning motives to anyone involved.
Just Jared’s September 30, 2026 summary reports that Davidson addressed Kardashian and public attention around his relationships. It offers a secondary account, so details about what he said should be understood as the outlet’s description of the interview, not a full transcript.
Why is Davidson criticizing influencers and TikTok?
In the “Ask a Local” segment, as reported by Complex, Davidson questioned the appeal of “get ready with me” videos and TikTok dances and wondered how some creators could earn so much. He also joked about starting an OnlyFans account. The comments are a mix of criticism and humor, not a researched assessment of creator work or earnings.
Complex reported Davidson saying “40 million a year.” The figure is his reported assertion; the article does not independently verify it, identify a creator whose income was audited, or establish that such earnings are typical. It should not be read as an industry statistic.
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What is established about his AI-filmmaking comments?
A search-result summary says Davidson defended AI filmmaking, but the accessible reporting cited here does not supply his words or enough context to establish what he defended, what use of AI he meant, or whether he addressed concerns about the technology. There is therefore no sound basis in these reports for attributing a specific position or quote to him. The point remains unverified in the available coverage.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.How to read the online reaction
The interview touches subjects that routinely invite strong online responses: celebrity relationships, body image, creator culture and AI. The reported comments show Davidson’s perspective; they do not settle debates about influencer income, the effects of online criticism, or AI’s role in filmmaking. In particular, the creator-income figure is not independently validated, and the AI summary lacks supporting detail in the accessible reports.
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