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A 128GB SD card can record anywhere from a few hours to well over 10 hours of video, depending mainly on the camera’s bitrate and recording mode. At 100 Mbps, manufacturer estimates range from about 2 hours 45 minutes to 170 minutes; at lower bitrates, the same card lasts much longer. For a useful estimate, check the camera’s exact setting—not just whether it records in 4K.

Why recording time varies

A camera writes video at a particular bitrate: the amount of data recorded each second. Higher bitrates use more storage, so a 128GB card fills sooner. Resolution alone does not determine recording time; two 4K modes can use different bitrates, and a Full HD mode can also vary by camera and setting.

Manufacturer capacity tables are estimates, not guarantees. Sony notes that recording time varies with shooting conditions and card type, while Panasonic warns that certain recording modes can reduce the available time. The camera’s remaining-time display and the manual for the specific model are the most relevant checks.

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Examples from camera makers

These figures apply to the stated manufacturer tables and modes; they should not be treated as a universal promise for every camera or card.

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Source and scope Recording setting Estimated time on 128GB
Panasonic DC-BS1H manual, specified MP4 modes at 59.94Hz or 50Hz 100 Mbps About 2 hours 45 minutes
Panasonic DC-BS1H manual, specified Full HD MP4 mode 28 Mbps About 9 hours 45 minutes
Panasonic DC-BS1H manual, specified Full HD MP4 mode 20 Mbps About 13 hours
Fujifilm general bitrate and media-capacity guide, updated May 28, 2026 100 Mbps About 170 minutes
Fujifilm general bitrate and media-capacity guide, updated May 28, 2026 50 Mbps About 340 minutes
Sony FDR-X3000 XAVC S table, depending on listed mode 100 Mbps About 155 minutes
Sony listed XAVC S mode 60 Mbps About 255 minutes
Sony listed XAVC S HD mode 50 Mbps About 310 minutes

The variation at 100 Mbps illustrates why one headline duration can mislead: manufacturers may use different recording formats, settings, rounding, and assumptions about usable capacity. Consult the camera manual for its own estimate. Fujifilm’s recording-time guide; Panasonic DC-BS1H manual; Sony recording-time guide.

Estimate time from bitrate

For a rough estimate using decimal card capacity, divide the card’s total bits by the recording bitrate and convert seconds to hours:

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Approximate hours = (128 × 8 × 1,000) ÷ (bitrate in Mbps × 3,600)

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For example, the calculation gives about 2.84 hours at 100 Mbps. That is a theoretical planning estimate assuming all 128GB is available. A camera uses some space for audio, metadata, file-system overhead, and other data, so actual usable capacity and the maker’s estimate may be lower. Fujifilm explains the byte-to-bit conversion in its capacity guide. Use the camera’s manual or remaining-time display for a practical figure.

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Check card compatibility and speed before buying

Capacity alone does not establish that a card will work for a particular recording mode. Confirm the camera supports the card format and capacity, and check the sustained write-speed requirement for the mode you intend to use. Camera manuals specify these requirements; the reviewed manufacturer guidance does not establish one speed class that suits every camera.

  • Check the camera manual’s SD or SDXC compatibility information.
  • Look up the required write speed for the specific video mode, particularly for high-bitrate recording.
  • Use a genuine, reliable card that meets those requirements; do not assume a card is suitable based only on its capacity or advertised maximum speed.

For examples of the information camera manuals provide, see Sony’s recording-time guidance and the Canon EOS R10 manual.

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What to check for 4K recording

There is no single recording-time figure for “4K.” Find the camera’s chosen 4K format and bitrate in its menu or manual, then use the manufacturer’s capacity table or the calculation above. If the manual lists a duration for the exact setting, prefer that over a general estimate because it reflects the camera’s recording modes and assumptions.

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Quick Recap

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