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Beryl’s “deformed potato” look is an intentional part of the 3D setup for a sword fight in From Old Country Bumpkin to Master Swordsman. The YAMATOWORKS team distorted his anatomy to stage a stronger pose and furious side profile for the final 2D image; the distortion was not meant to appear in that finished image.

Why does Beryl look like a deformed potato in 3D?

The 3D model was adjusted because its original anatomy did not produce the pose and expression the scene needed. While developing a sword battle between Beryl and Fissel, the artists squished and stretched Beryl’s features so the final 2D image would read as a more forceful, furious profile.

That distinction matters: the unusual 3D shape was a means to an image-making end, not the appearance intended for viewers. The 80 Level report describes the distortion as something viewers would not see in the finished 2D result.

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How the scene was made

80 Level’s report, published October 2, 2026, names YAMATOWORKS artists Ryo Tsunoda, Meiya Okuda, and Kaito Kobayashi in its account of the work. It says the team used LightWave 3D to create the battle choreography.

The example shows how a 3D setup can be altered to serve a particular 2D pose and expression. It is a production choice specific to this Beryl and Fissel scene, rather than evidence that the final animation is meant to look anatomically distorted.

Source: 80 Level.

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