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Actor Neeraj Kabi says Gandhian values can offer a counterweight to what he sees as the growing appeal of violence in Hindi cinema. In a Hindustan Times interview published on 2 October 2026 for Gandhi Jayanti, he called screen violence “the drug” cinema supplies—but stressed that he is not against violence in films when it serves a larger story.
What Neeraj Kabi said about violence in cinema
Speaking to Hindustan Times reporter Akash Bhatnagar, Kabi described violence in cinema as a drug supplied to audiences: “Violence has become the drug, and we are supplying that drug through cinema.” He also said public sensibility is declining.
Those are Kabi’s judgments, not findings from an audience study or industry-wide data presented in the interview. His point is also more qualified than a blanket objection to violent films.
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1Fix the driver behind crashes, sound loss and screen glitches2Repair Windows errors before they cause bigger problems3Scan for outdated or missing drivers - takes under a minuteHis standard is whether violence serves the story
Kabi said he is not against showing violence as such. In his view, it should contribute to something larger in the narrative and reflect a higher artistic sensibility, rather than appear simply for its own sake. He cited Schindler’s List as an example of violence used in service of a larger story.
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Why Kabi says Gandhism remains relevant in 2026
Kabi associated Gandhi’s example with six qualities: ahimsa, or non-violence; satyagrah, or insistence on truth; sacrifice; leadership; humanity; and equality. This is Kabi’s own list of values, not a formal or exhaustive scholarly classification.
He pointed to student protests over NEET paper leaks as an example of young people pursuing change largely through non-violence. That example is presented as part of the interview’s argument; the interview does not independently establish a detailed account of those protests.
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Kabi’s earlier connection to Gandhi
Kabi portrayed Gandhi in the television series Samvidhaan. A 2013 Indian Express profile also reported that he practised spinning on a charkha as part of his effort to understand Gandhian philosophy. That background helps explain his personal engagement with the subject, but does not establish his broader claims about cinema’s effects on audiences.
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What the interview does—and does not—establish
The interview offers an actor’s cultural critique: Kabi believes non-violence and other Gandhian values remain useful, and that filmmakers should give screen violence a meaningful artistic or narrative purpose. It does not provide data showing that violence in Indian films has increased, that audiences have become more accepting of it, or that films cause real-world violence.
A companion Hindustan Times feature collected views from Pratik Gandhi, Rajit Kapur, and Darshan Jariwalla on Gandhi’s relevance. Those reflections add cultural context, but they do not independently test Kabi’s claims about screen violence.
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