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To open Shorefront’s blue lockbox in Silent Hill: Townfall, collect the Back Door Key upstairs in Building 16, use it to enter Jess’s House, then take the Lock Box Key from the kitchen drawer beside the stove. Bring that key back to Building 16, Flat 0/1. The reported contents are an Empty IV Bag and IV Fluid.
Where to find the Back Door Key
- Enter Building 16 in Shorefront and go upstairs to the area labeled 1/2.
- Search the room for the 21 Farrow St. – Back Door Key. One walkthrough places it on a dresser in the lounge.
Where to find the Lock Box Key
- Leave Building 16 and take the alley beside Building 14 to Jess’s House.
- Use the Back Door Key on the eastern blue door to enter.
- Go to the kitchen and search the drawer beside the stove for the Lock Box Key.
Open the blue lockbox in Building 16
Return to Building 16 and go to Flat 0/1. Use the Lock Box Key on the blue lockbox there. Walkthroughs report that it contains an Empty IV Bag and IV Fluid.
Before you use the key
The Lock Box Key is described as single-use, so choose the lockbox before spending it. The walkthroughs supporting this route do not provide a complete, independently verified comparison of every lockbox in Shorefront; they identify the Building 16, Flat 0/1 box as the one containing the IV items.
This route is reported by third-party walkthroughs rather than official game documentation. Names vary slightly between guides, so follow the labels shown in your game if they differ. If a patch or version changes the room layout, use the current in-game labels to orient yourself.
#1 Best Overall
- Experienced entirely in first person, explore, evade, and survive using a limited set of weapons and tools, including a pocket television used to tune into unstable signals. Evasion is tense; combat is frenetic, while narrative driven puzzles reveal a truth that refuses to stay submerged.
- SILENT HILL: Townfall is a full-length, self-contained psychological horror set against the cold, isolated backdrop of Scotland, 1996
Sources: NerdsChalk’s walkthrough (September 22, 2026), All Things How, and Wukeer.
Quick Recap
Rank #4
- RE-PLAYABLE NARRATIVE BOARD GAME: Tile by tile, terror by terror, build their own haunted mansion and then try to escape it alive. The game is for 3-6 players and takes about 60 minutes to play
- MODULAR BOARD PIECES: The Betrayal at House on the Hill tabletop game features 50 blood-curdling scenarios. Each trip to the house promises fresh horrors and a new story is created every time you play
- HAUNTED HOUSE TRAITOR GAME: Players must work together to survive the nightmare…but beware! The house turns one player against the others in this cooperative strategy game
- MINIATURES BOARD GAME: This second edition of Betrayal at House on the Hill includes 6 pre-painted plastic explorer figures, 80 cards, 149 tokens, 44 room tiles, 2 haunt books, and more
- IMMERSIVE NARRATIVE: Get ready for an unpredictable and thrilling exploration of the haunted house. Encounter witches, dragons, zombies, and other spooky and bizarre B-movie horror clichés
Rank #3
- Day One Edition Bonus: CRTV Style: Rusted, CRTV Style: Beach Edition
- When Simon Ordell is called back to the island of St. Amelia to "put things in order", he meets a city lying quietly in dense fog, seemingly abandoned, yet anything but dormant
- After venturing further to understand his connection to this place and its inhabitants, he gradually discovers fragments of the past rising to the surface
- Simon must explore, evade and survive from a first-person perspective. It uses a limited arsenal of weapons and tools, including the CRTV: a portable TV to receive unstable signals
- The dodging is tension, the battles are hectic and the story-based puzzles reveal a truth that does not want to remain hidden
Rank #2
- Day One Edition Bonus: CRTV Style: Rusted, CRTV Style: Beach Edition
- Returning to an island town to ‘put things right’, Simon Ordell descends into a world of tense evasion, explosive confrontations, and mind-bending puzzles that slowly surface the truth of St. Amelia
- Simon Ordell is called back to the island of St. Amelia to ‘put things right’, encountering a town lying quiet beneath a heavy fog, seemingly abandoned but not at rest
- Venturing deeper, and driven to understand his connection to the place and its inhabitants, Simon begins to discover fragments of a past rising to the surface
- Experienced entirely in first person, Simon must explore, evade, and survive using a limited set of weapons and tools, including the CRTV, a pocket television used to tune into unstable signals. Evasion is tense; combat is frenetic, while narrative driven puzzles reveal a truth that refuses to stay submerged
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