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For most PX4 Pro owners, the best starting point is a screen specified for ultra-short-throw (UST) projectors and ambient-light rejection (ALR). Hisense lists 100-inch and 120-inch ALR screens for this projector in Canada. In a room you can darken reliably, a fixed-frame UST screen is also worth considering, but “fixed-frame” describes the mounting style, not the screen’s optical compatibility. The screen must still be designed for UST geometry.
Do not choose solely from the projector’s headline brightness. Hisense advertises 3500 ANSI lumens and a 6500:1 contrast ratio, yet the published pages reviewed do not give a room-light threshold, measured ALR performance, gain, or viewing-angle data for the named screens. Your room, target size, wall space and installation method should decide the purchase.
Which screen type fits the PX4 Pro?
Choose UST ALR for a room with daylight or lights on
An ALR screen is the most logical first option when windows, lamps or ceiling lights remain on during viewing. Hisense describes its optional ALR screen as a way to reject ambient light and improve perceived contrast, brightness and color accuracy in bright rooms. That is the screen’s intended role; it does not mean daylight disappears or that every room will achieve the same result.
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#1 Best Overall
- Cutting-Edge Screen Technology: Our UST ALR projection screen boasts a precision micro-toothed 3D structure and triangular grating, with one side black and the other white.Compared to traditional ALR projection screens, it is custom-designed for ultra-short-throw projectors, effectively absorbing ambient light from above while directing the projector's light towards the audience. This design ensures optimal image quality with minimal light interference.
- 80-inch HD Projection Screen: Measuring 80 inches diagonally (69.72" x 39.21"), our screen with a 0.8 gain significantly elevates image contrast, layered feeling, and saturation.It supports 4K, 8K, and 3D projections, delivering vivid, sharp images with superior detail and accurate color reproduction in both dark and even daylight/lighted environments.
- Sturdy Build: Constructed from premium aluminum alloy, our wall-mounted screen frame is robust and long-lasting. The dual-frame design and adaptive spring tension system guarantee wonderful screen flatness, while the 1 cm ultra-narrow bezel lends a sleek, contemporary appearance.The velvety surface enhances the screen's elegance and nobility, while absorbing excess light to ensure a comfortable, borderless immersive viewing experience.
- Quality Upgrades: Our screen's upgraded PVC material boasts outstanding durability, self-healing properties, and resistance to deformation, ensuring a smooth surface akin to a mirror. The black backing prevents light leakage, while the newly developed front coating enhances the projection effect.
- Versatile Applications: Tailored specifically for UST projectors, our screen optimizes device performance. Whether at home, in the office, conference rooms, or classrooms, it's the perfect choice for diverse settings, meeting the needs of your family and friends.
Choose a fixed-frame UST screen when the room is controlled
“Fixed-frame” tells you how the screen is held: the material is stretched over a rigid frame that stays on the wall. It does not tell you whether the optical surface is suitable for a UST projector. In a dark or controllable room, a fixed-frame UST screen can be attractive because it offers a permanent, flat viewing surface and avoids the mechanical complexity of a retractable product.
You can also buy a fixed-frame screen that is itself an ALR design. The two terms are not competing categories: one describes mounting, the other light handling. Before ordering, confirm both specifications in the manufacturer’s documentation: UST-compatible and, if needed, ALR.
PX4 Pro figures that affect screen buying
The following published specifications set the boundaries for sizing and installation. Hisense’s figures are manufacturer claims; ProjectorCentral’s throw ratio is a separate listed specification and is slightly more precise.
Rank #2
- Fixed Frame 4K Ultra HD: This high-performance screen is tailor-made for HD and 4K Ultra Short Throw content. Provides a large-screen and ultra-wide viewing display for home theaters, school classrooms, conference rooms, etc.
- Suitable for Medium Ambient Light: Ideal for rooms with medium ambient lighting, this UST projection screen features premium black-grid ALR material and a multi-layer optical structure that rejects up to 95% of ambient light, ensuring vibrant colors, enhanced contrast, and crisp image details.
- Seamless Viewing: Enjoy the best image reproduction with this 16:9 aspect ALR projector screen with a 0.4” ultra slim aluminum frame. The giant screen laser TV effect is ideal for screening home movies, weddings, soccer games, birthdays, events, and more!
- Ultra Wide Viewing Angle: The 170° wide viewing angle makes viewing suitable from multiple directions - enjoy crisp and crystal clear images of your movies, presentations, and photos regardless of your location in the room.
- Easy Assembly: Comes complete with a full installation kit and detailed installation instructions for quick and simple installation. It is recommended that a minimum of 2 persons install the CLR projection screen in a 108ft² room.
| Item | Published value | What it means for your screen |
|---|---|---|
| Throw ratio | 0.2:1 (Hisense Canada); 0.19:1 (ProjectorCentral) | The projector forms a very large image from a short wall distance. Verify the screen’s UST geometry and placement instructions rather than estimating from a conventional projector calculator. |
| Advertised image range | 80–200 inches | The projector is marketed for sizes well beyond the named Hisense ALR products. A larger image may require more careful physical alignment and a different screen solution. |
| Advertised brightness | 3500 ANSI lumens (Hisense USA) | A high stated output can help in brighter rooms, but it is not a published guarantee of usable brightness on a particular screen or at a particular daylight level. |
| Advertised contrast | 6500:1 (Hisense USA) | Contrast in your room depends on reflected light, screen behavior and picture settings as well as the projector specification. |
| Adjustable iris | Seven levels (Hisense USA) | The projector provides a way to trade light output for image-character preferences, but the appropriate level depends on screen size and room conditions. |
| Hisense ALR sizes listed in Canada | 100 inches (DLT100-E) and 120 inches (DLT120-C) | These are the named options to investigate first; they do not cover every size in the projector’s advertised range. |
| Automatic screen alignment limit | Up to 120 inches (Hisense Singapore) | Do not assume automatic alignment applies to a screen larger than 120 inches. |
Pick the diagonal before you pick the frame
100 inches
A 100-inch screen is the smaller of Hisense’s two listed ALR choices. It needs less wall width and is easier to accommodate in a lounge where furniture, shelving or a low media console limits the available area. It also leaves more flexibility if viewers sit relatively close or if you want a less dominant image.
120 inches
The 120-inch DLT120-C is the larger listed Hisense ALR option. It suits viewers who want a more cinematic image and have enough clear wall height for the frame and the projector’s light path. It is also the largest size for which the Singapore product page says automatic screen alignment is available.
Above 120 inches
The PX4 Pro is advertised for images up to 200 inches, but Hisense’s named ALR products in the Canadian material stop at 120 inches. A larger screen therefore requires you to find a separate UST-compatible solution and plan alignment manually or with the projector’s available tools. Do not infer that the 100-inch or 120-inch screen material scales to 150, 180 or 200 inches.
Rank #3
- 【85% Ambient Light Rejection】Engineered for bright rooms, this screen uses advanced PET Crystal technology to reject up to 85% of ambient light. Enjoy glare-free, high-contrast images even in daylight.
- 【Cinema-Grade Clarity & 3D Ready】Bring the theater home with stunning 4K UHD resolution and 3D compatibility. The multi-layer design, featuring a black light-absorbing core and 3D imaging layer, ensures sharp, vivid visuals for immersive viewing.
- 【Perfect Match for UST Projectors】Unlock the full potential of your ultra-short throw projector. The screen’s optimized surface offers a wide 160° viewing angle with minimal distortion — ideal for home theaters, classrooms, or office spaces.
- 【Wrinkle-Free & Easy to Mount】The durable PET Crystal material maintains a perfectly flat surface with no wrinkles. A slim, ultra-thin 10mm frame and simple mounting system ensure quick, stylish installation.
- 【Eco-Friendly & Eye-Caring】Crafted with a PVC-free substrate, this screen is safer for the environment. Protective layers reduce glare and visual fatigue, providing comfortable, eye-friendly viewing for hours.
Measure the usable wall, not just the diagonal you have in mind. Account for the frame, speakers, shelves, electrical outlets and the projector’s footprint. A screen that technically fits the wall can still be impractical if the projector cannot sit squarely on the required surface or if furniture blocks the lower image edge.
How room light changes the recommendation
Daylight that cannot be blocked
Prioritize UST ALR. Close curtains where possible, but select the screen on the assumption that some light will remain. Ask the seller for the exact optical specification of the screen you are considering; the reviewed Hisense pages explain the ALR purpose but do not publish a rejection percentage, gain or viewing-angle measurement.
Lights on for sports, games or casual viewing
ALR remains the safer choice because it is intended to preserve perceived contrast in ambient light. Keep expectations realistic: a screen can reduce the effect of off-axis room light, but it cannot make a sunlit wall behave like a dark cinema. Light-colored walls, glossy furniture and windows opposite the screen can still wash out blacks.
Rank #4
- Cutting-Edge Screen Technology: Our UST ALR projection screen boasts a precision micro-toothed 3D structure and triangular grating, with one side black and the other white.Compared to traditional ALR projection screens, it is custom-designed for ultra-short-throw projectors, effectively absorbing ambient light from above while directing the projector's light towards the audience. This design ensures optimal image quality with minimal light interference.
- 120-inch HD Projection Screen: Measuring 120 inches diagonally (104.57" x 58.82"), our screen with a 0.8 gain significantly elevates image contrast, layered feeling, and saturation.It supports 4K, 8K, and 3D projections, delivering vivid, sharp images with superior detail and accurate color reproduction in both dark and even daylight/lighted environments.
- Sturdy Build: Constructed from premium aluminum alloy, our wall-mounted screen frame is robust and long-lasting. The dual-frame design and adaptive spring tension system guarantee wonderful screen flatness, while the 1 cm ultra-narrow bezel lends a sleek, contemporary appearance.The velvety surface enhances the screen's elegance and nobility, while absorbing excess light to ensure a comfortable, borderless immersive viewing experience.
- Quality Upgrades: Our screen's upgraded PVC material boasts outstanding durability, self-healing properties, and resistance to deformation, ensuring a smooth surface akin to a mirror. The black backing prevents light leakage, while the newly developed front coating enhances the projection effect.
- Versatile Applications: Tailored specifically for UST projectors, our screen optimizes device performance. Whether at home, in the office, conference rooms, or classrooms, it's the perfect choice for diverse settings, meeting the needs of your family and friends.
A room that can be darkened
You can compare a fixed-frame UST screen with an ALR model on equal terms. In this situation, prioritize a genuinely flat installation, the correct UST optical design and the diagonal that fits your seating distance. The available product pages do not establish a particular white fixed-frame model or prove that one performs better than Hisense’s ALR screens, so treat any alternative’s gain and viewing-angle claims as product-specific evidence to verify.
Check regional package contents before paying
Screen inclusion is not universal. Hisense Singapore states that the ALR screen is not included with the PX4 Pro. That is a regional product-page statement, not proof that every country uses the same bundle. Before checkout, read the contents list for your market and model number. If it says only “projector,” budget separately for the screen, wall hardware and any installation accessories.
Also confirm the exact screen model. The Canadian listing identifies DLT100-E at 100 inches and DLT120-C at 120 inches. A retailer may use a different suffix, package or regional name; match the diagonal, UST designation and mounting hardware rather than relying on a photograph.
Best Value
- ✔ ALR Technology for Stunning Clarity – Advanced Ambient Light Rejection (ALR) technology enhances image quality by reducing glare, making it ideal for bright rooms and home theaters. A wide 170° viewing angle ensures a perfect view for everyone.
- ✔ Seamless Auto Sync & Smart Control – Wirelessly sync the screen with your projector to rise when it turns on and retract when it turns off. Easily control height and operation with the remote or App. No manual adjustments needed.
- ✔ Adjustable Height, Zero Installation – Effortlessly adjust the screen to any height with a single press of the remote. No drilling, no wall mounting—perfect for basements, living rooms, or any space. Retract when not in use to save space.
- ✔ True 4K UHD Resolution – The ST Carbon Black surface delivers breathtaking 4K UHD clarity, preserving fine details. Designed for high-brightness 4K projectors and laser projectors for an unmatched visual experience.
- ✔ Immersive 3D Audio Experience – Micro-perforated surface with 0.4mm precision perforations maintains superior sound transmission while minimizing light loss, ensuring an immersive audiovisual experience.
A practical buying and installation process
- Measure the wall and seating area. Record clear wall width and height, the distance from the primary seats to the wall, the height of the media console and the locations of outlets and speakers.
- Classify the light. Note whether daylight is present during viewing, whether lights point toward the screen and whether curtains can reduce that light. This determines whether ALR is a requirement or simply an option.
- Set a target diagonal. Start with 100 or 120 inches if you want a named Hisense ALR product. Consider a larger diagonal only after confirming a separate UST screen and a workable alignment plan.
- Verify UST compatibility in writing. Look for a specification that explicitly supports ultra-short-throw projection. Do not treat “fixed-frame,” “high contrast” or “bright-room” as substitutes for that statement.
- Confirm the frame and hardware. Check whether the package includes the rigid frame, wall brackets, feet or other mounting parts you need. A rigid frame must be mounted level and sufficiently flat for a UST image.
- Position the screen first. Install or place the screen at the manufacturer’s specified height and keep it level. UST projectors are highly sensitive to vertical and horizontal errors because a small change at the projector can move the image substantially at the top of the screen.
- Place the PX4 Pro on a stable, square surface. Keep the chassis parallel to the screen and use the stated throw geometry as a starting point. Do not slide the projector sideways to “center” an image that is actually caused by a crooked screen.
- Use alignment sparingly. The Singapore page limits automatic screen alignment to screen sizes up to 120 inches. For larger screens, plan to align carefully by physical placement and the projector’s available controls instead of assuming the automatic feature will apply.
- Test with real content and room lighting. Check subtitles, straight lines and bright highlights with the lights in their normal viewing state. Look for corner focus differences, glare and visible hotspots before finalizing cable management or wall anchors.
What the published specifications do not tell you
The reviewed pages do not provide an independently measured brightness threshold for a room, a measured ambient-light-rejection percentage, screen gain, viewing-angle behavior or detailed optical construction for DLT100-E and DLT120-C. Those omissions matter because ALR performance is not a single universal number. It varies with the direction and color of room light, seating position, screen texture and projector placement.
For the same reason, 3500 ANSI lumens and 6500:1 contrast should be read as manufacturer specifications, not as a promise that every 120-inch image will look equally bright or contrasty in every room. The seven-level iris gives you a control for balancing output and image character, but it cannot compensate for a screen that is the wrong optical type or a room with direct light on the surface.
Common mistakes and fixes
Buying a conventional fixed-frame screen
Symptom: the image has uneven brightness, glare or poor focus near the edges. Fix: replace the assumption that “fixed-frame” is enough with a specification check for UST compatibility. The frame style can stay; the optical material may need to change.
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Symptom: blacks look gray when windows are bright. Fix: reduce the strongest light sources, especially light aimed at the screen, and judge the screen under the lighting you will actually use. ALR is intended to reject some ambient light, not to eliminate all washout.
Ordering a 150-inch screen because the projector supports 200 inches
Symptom: the chosen screen is difficult to align or the advertised automatic correction is unavailable. Fix: remember that the 80–200-inch projector range and the 100/120-inch Hisense ALR listings describe different things. Confirm the larger screen’s UST design and plan a physical alignment workflow.
Expecting the screen in the box
Symptom: installation stops when only the projector arrives. Fix: verify the local package contents before ordering. Hisense Singapore explicitly lists the ALR screen as not included.
Quick Recap
Decision summary
- Bright or mixed-light room: investigate a UST-compatible ALR screen first; the 100-inch DLT100-E and 120-inch DLT120-C are the named Hisense options in Canada.
- Dark, permanent installation: a fixed-frame UST screen is reasonable, including a fixed-frame ALR model if you want extra light control.
- More than 120 inches: treat it as a custom sizing decision. The projector is advertised up to 200 inches, but the named Hisense ALR choices and the stated automatic-alignment limit stop at 120 inches.
- Any room: verify UST compatibility, measure the wall, confirm the regional bundle and avoid treating brightness or contrast claims as a substitute for screen specifications.
Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon at the time of purchase will apply.
