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No—not directly, according to Adobe’s current Audition documentation. Audition’s documented multitrack interchange exports are OMF and Final Cut Pro XML, not AAF. If a client or post-production facility requires AAF, Adobe documents exporting it from Premiere Pro instead. That is a separate-app handoff, not an Audition AAF export option.

What Audition can export for an editable handoff

Adobe’s Audition multitrack export documentation lists OMF and Final Cut Pro XML Interchange Format. Its documented formats for opening in the Multitrack Editor include those formats, along with Audition sessions and other XML formats; AAF is not listed. Menu availability and details can vary with installed versions, so check the recipient’s requirements and your application before delivery.

OMF: the documented alternative to ask about first

In Audition, use File > Export > OMF for a multitrack session. The export offers sample-type, media, trimming, and handle-duration controls. Encapsulated OMF packages media inside the export; referenced OMF points to media files separately. Adobe states that encapsulated OMF files are limited to 2 GB. If the recipient needs room to adjust edits or fades, choose handles and confirm their required duration.

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Review Audition’s export warnings before sending: they identify session elements that will be excluded or changed. Confirm whether the recipient can accept OMF and whether they expect embedded or referenced media, the sample rate and bit depth, and editable clips rather than a rendered mix. Adobe Audition: Export multitrack sessions

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Final Cut Pro XML: use only when its omissions are acceptable

Audition’s other documented multitrack interchange export is File > Export > FCP XML Interchange Format. Adobe documents significant losses: stereo clips and tracks become mono because the second stereo channel is not included; overlapping clips, effects and track EQ, most automation, and output routing, sends, buses, and the mix track are also excluded. The documented automation exceptions are clip volume and mono-to-stereo track panning. This format is not a full-fidelity session handoff when those elements matter.

See Adobe’s export documentation for the full list of XML exclusions.

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How to make an AAF when the recipient requires one

Adobe documents AAF export in Premiere Pro. AAF is a multimedia interchange format for digital media and metadata, but compatibility is not universal: Adobe states that Premiere-exported AAF files are compatible with Avid Media Composer and Avid Pro Tools and that other AAF importers have not been tested. Confirm the exact target application and its requirements with the receiving editor or facility before building the handoff.

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  1. Confirm the deliverable. Ask whether the recipient needs editable clips or a rendered mix, which application and version will import the file, and whether audio should be embedded or separate. Also verify sample rate, bit depth, and any expected handles.
  2. Prepare the project in Premiere Pro. Use the documented Premiere AAF export workflow for the sequence and project that are appropriate to the handoff. Audition’s ability to exchange audio with Premiere does not add AAF export to Audition itself.
  3. Choose media packaging with file size in mind. On Windows, Adobe says embedded Premiere AAF files larger than 2 GB are unsupported and fail to export; for large AAFs, Adobe advises exporting with separate audio instead of embedded audio.
  4. Validate the handoff with the recipient. Check the export warnings and, where practical, have the receiving application import the AAF before treating delivery as complete. Adobe’s stated compatibility should not be extended to untested AAF importers.

Premiere’s workflow and limitations are documented in Adobe Premiere Pro: Export AAF files.

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When a rendered mix or stems are the better deliverable

If neither OMF nor FCP XML preserves the edits and processing the recipient needs, agree on a rendered mix or stems instead of presenting an interchange file as a complete session. Adobe documents sending a Premiere sequence to Audition and exporting completed multitrack audio to Adobe Media Encoder, including customizable routing of tracks to output channels. That workflow supports final audio/video output; it is not an Audition AAF export. Confirm channel layout and delivery specifications before rendering. Adobe Audition: Export multitrack sessions

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Package the session media, not just the SESX file

An Audition .sesx file contains no audio. Adobe describes it as a small XML-based file that points to audio and video elsewhere on the drive and stores session details such as file locations, envelopes, and effects. Sending the SESX alone therefore does not supply the referenced media. Package the associated files or use an interchange export suited to the receiving application, then verify that the recipient can access the media. Adobe Audition: Audition sessions

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Choose the handoff by what must survive

Deliverable Where it comes from Key consideration
AAF Premiere Pro’s documented export workflow Adobe states compatibility with Avid Media Composer and Pro Tools; other importers are untested. Windows embedded exports over 2 GB fail; use separate audio for large exports.
OMF Audition: File > Export > OMF Choose encapsulated or referenced media and trimming/handles; encapsulated files are limited to 2 GB. Inspect export warnings.
FCP XML Audition: File > Export > FCP XML Interchange Format Adobe documents exclusions including effects, overlaps, the second stereo channel, and most routing and automation.
Rendered mix or stems Audition output via the documented Premiere/Media Encoder workflow Best suited to a playback deliverable rather than editable interchange; confirm routing and output specifications.
SESX session Audition session file References media rather than containing it; transfer the associated audio and video files too.

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